THE PLACE OF THE CANTATA AND ORATORIO GENRES IN THE MUSICAL CULTURE OF UZBEKISTAN

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Published: 2023-04-05
DOI: https://doi.org/10.66073/researchfocus.v2i3.168
Keywords:
Cantata, oratorio, suite, mass song, cycle, genre, vocal-symphonic, art, form, with and without accompaniment, a cappella, philharmonic

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Gulzira Muhiddinova
O’zbekiston Davlat Konservatoriyasi 2-kurs magistranti. Toshkent, O’zbekiston

Abstract

The cantata and oratorio genres, like a collection, consist of independent numbers usually combined into a cycle under a common title. The oratorio-cantata genre includes large vocal-symphonic works intended for concert performance. It includes not only oratorios, cantatas and similar works for voice and for instruments, but also musical compositions for choir and soloists (accompanied and unaccompanied, a cappella). Originally it was intended for performance in church.

Article Details

Issue

Vol. 2 No. 3 (2023): Research Focus International Scientific Journal. Volume 2, Issue 3 (2023)

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Articles
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This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

THE PLACE OF THE CANTATA AND ORATORIO GENRES IN THE MUSICAL CULTURE OF UZBEKISTAN. (2023). Research Focus International Scientific Journal, 2(3), 246-248. https://doi.org/10.66073/researchfocus.v2i3.168

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